Management And Ethics In Design

Course Code:

N1-3050

Semester:

3rd Semester

Specialization Category:

Mandatory Courses ( ΜΓΥ )

Course Hours:

3

ECTS:

3



SYLLABUS

Module Aims

The course aims at

• the learning of design methodology

• developing the ability of formation and development in design

• the learning of the means for supporting and communicating a design as final product

• acquiring knowledge of the basic concepts for the best practice of the profession of graphic designer

• explaining how one can have creative results

• determining the rights and obligations arising from the designer’s work.

Theoretical module – Lecture topics

– Who is a designer?

– The principles of professional practice

– The design summary

– The design process

– The mapping of the design

– The use of Fonts

– Time management

– Topic Suggestion for Study / Writing / Preparation

– The use of illustration

– Guide to copyright and software usage

– The use of photography

– What does the client look for in the designer and design?

– How to write a CV?

ATTACHED BIBLIOGRAPHY

Greek sources

Καρακασίδης, Ν. Σχεδιασμός συσκευασίας. Αθήνα: Εκδόσεις Ίων,
Καρακασίδης, Ν. ΣυσκευασίαΟΠΕ, 1991

Καρακασίδης, Ν. Γ., (1999). Κυτιοποιία. Αθήνα: Εκδόσεις Ίων.

Στασινόπουλος, Αλέξης.(1991). Συσκευασία: Ερμηνευτικό, Λεξικό Υλικών και

Μεθόδων. Αθήνα: Οργανισμός Προώθησης Εξαγωγών.

ITC-UNCTAD/GATT. (1995). Γλωσσάρι Τεχνικών Όρων Συσκευασίας. (μτφρ. Καρακασίδης, Ν.Γ.),

Αθήνα: ΟΠΕ, Ελληνικός Οργανισμός Εξωτερικού Εμπορίου

International Sources

Boylston, S. (2009). Designing Sustainable Packaging. Laurence King Publishing.

Chapman, J. N. (2007). Designers, Visionaries and Other Stories: A Collection of Sustainable

Design Essays. Earthscan Publications Ltd.

Denison, Edward. (2002). Packaging Prototypes, Switzerland: Rotovision,

Galver, Gill. (2004). What is packaging design. Switzerland: RotoVision,

Gingko Press, (2008). Simply Packaging. Viction Design Workshop.

Grip Design, (2008). 1,000 Package Designs: A Complete Compilation of Creative

Containers. Rockport Publishers.

Hargreaves, B. (2004). Eat ME: Successful, Seductive Food Packaging Design. Rotovision.

Hook, Paula & Heimlich, Joe E. A History of Packaging. Ohio State University,

Extension Fact Sheet, Columbus, OH

Imhoff, D. (2005). Paper or Plastic: Searching for Solutions to an Overpackaged World.

Sierra ClubBooks.

Jankokowski, Jerry. (1998). Shelf space, Modern package design 1945-1965.

San Francisco: Chronicle books.

Jedlicka, Wendy. (2009). Packaging sustainability: tools, systems and strategies for

innovative package design. New Jersey: John Wiley & Sons

Kirkpatrick/Graven, J. (2009). New Packaging Design. Laurence King Publishing.

Klanten, R. & Ehmann, S. (2009). Boxed and Labelled: New Approaches to Packaging

Design.Die Gestalten Verlag.

Kunde, Jesper. (2002). Unique now – or never. Pennsylvania: Financial Times Prentice Hall.

Lefteri, C. (2006). Materials for Inspirational Design. Rotovision.

Milton, Howard. (1991). Packaging design. London: The Design Council,

Mollerup, P. (2006). Collapsibles: A Design Album of Space-Saving Objects. London:

Thames & Hudson.

Munari, B. (2008). Design as Art. Penguin Classics.

Opie, Robert. (1991). Source book, A visual guide to a century of packaging design.

Mineapolis: Book sales.

Parsons, T. (2009). Thinking: Objects – Contemporary Approaches to Product Design.

AVA Publishing.

Pepin Press, (2003). Structural Package Designs (Packaging and Folding). Agile Rabbit.Pipes, A. (2007). Drawing for Designers: Drawing skills, Concept sketches, Computer

systems, Illustration, Tools and materials, Presentations, Production techniques.

Laurence King Publishing.

Soroka, Walter. (2000). Fundamentals of Packaging Technology. (2nd ed.) Institute of Packaging Professionals.

Sparke, P. (2010). The Genius of Design. Quadrille Publishing Ltd.

Stafford, Cliff (ed.). (1999). 50 trade secrets of great design packaging. Massachusetts:

Rockport

Sudjic. D. (2009). The Language of Things: Design, Luxury, Fashion, Art: how we are

seduced by the objects around us. London: Penguin.

Thompson, R. (2007). Manufacturing Processes for Design Professionals,

London: Thames & Hudson.

Williams, N. (2005). More Paperwork: Exploring the Potential of Paper in Design and

Architecture.Phaidon Press.

Wolf fOlins (Company). (1998).The new guide to identity: How to create and sustain change through managing identity. London: The Design Council.

MODULE CONTENT